Theatre 1 Crossword

area set aside for a performance
people who watch a performance
an in the 1920’s, a honorary organization for high school actors and actresses. Students earn points for completing a variety of theatre jobs
to try our for a performance
An exact duplication of real life without the objects
A signal to do something
Small objects handled onstage by the actors
Your opinion of the good and bad aspects of a performance
To move from one point to another onstage
A comment made by a performer and heard by audience members but not the rest of the performers
To unrealistically face more towards the audience during a performance so they can see you more clearly
The window opening (frame arch) near the point of the stage
desires being denied
what the character wants from another
the person or object in the way of a charter getting their desire
what is at risk the character doesn’t achieve their objective
Internal Characteristic that determines the intelligence of the character
Internal Characteristic that explores ideals ethical codes and beliefs
Internal Characteristic that explores a characters personality
the first person to step away from the original chorus
Plays that were used as comic relief after serious plays
12-15 men dressed simply and sung in unison
wrote Agamemnon and created the second actor
wrote Medea and often questioned traditional values through his plays
wrote Oedipus Rex and credited with creating the third actor and fixing the size of the chorus
Lowest rank to sponsor a troupe
Queen Elizabeth’s acting troupe
Person in charge of the monarch’s entertainment
Acting troupe that was formed through the queens men. Shakespeare was a part of this group
the theatre from which most modern theatre is derived
Believed character must be approached from the inside through drawing on the real inside life of the actor, most specifically drawing on memories
believed the foundation of acting is the reality of doing and to rely on instinct
believed on relying on your imagination and creativity to create a character
encourages actors to magnify and intensify their connection to the material by creating their characters’ emotional experiences in their own lives