Rogier van der Weyden Crossword

One of the most famous early Netherlandish artists whose art consisted of religious paintings that he never signed.
A person who produces paintings or any form of art as a career or hobby.
An ethnic group that Rogier belongs to and are referred to as Flanders as well.
An era of rebirth in Europe from the 14th to 17th centuries.
He was known as the Master of Flémalle.
He was one of the best 3 Netherlandish artists, but his popularity was surpassed by Roger and Robert.
The type of paintings that Rogier made.
A word meaning well known and famous.
Rogier's supposedly believed student.
The impact that Rogier’s art had on other artists.
Rogier’s paintings were described as looking very real and detailed, this is the term to describe these types of paintings.
In 1436, he rose to this position of work and label.
The lack of this is the reason “art historians to this day are trying to discover which works are his” (Artbible).
This is his real name which was French, then he translated to Dutch.
The reason that not many of Rogier’s paintings still exist and also the reason his popularity went down when he died.
A feeling that was incorporated in Rogier’s art, especially in his religious works.
A country in Western Europe where Rogier was born.
The time period where Rogier flourished and created his works.
One born in Europe.
This is when you try to depict and understand the meaning of a painting.
Rogier’s art was more implemented and known in this country, that he is considered as an example of artwork there.
This term means to represent ideas or qualities which are significantly found in Rogier’s religious works that have a specific meaning.
Being able to convey emotion, thoughts, and ideas in art.
Being requested or requesting a piece of art from an artist.
Rogier went to this country for an artistic experience and to tutor others, hint: they speak Italian in this country.
Rogier's birthplace.
Rogier's wife he married in 1426, she was also the daughter of a Brussels shoemaker.
This painting is now located at Museo Nacional del Prado, and "the painting was initially installed in Mary's castle at Binche, where it was seen by a Spanish courtier, Vicente Alvárez" (Tutt'Art Bihiku).
Rogier's death place.
Period of training that Rogier received when working with Robert Campin.