Organ stops Crossword

Old name for the Principal stop
Cylindrical solo reed that has a distinct buzzing or bleating sound, imitative of the historical instrument of the same name
A string stop that has a thinner, more cutting tone than the Cello stop. It is one of the earliest designs of string stops
A basic stopped 8′ flute in the manuals, and stopped 16′ and/or 8′ flute voice in the pedal
Flute mutation stop at ​1 1⁄3′ pitch
Multi-rank stops that enhance the harmonics of the fundamental pitch, and are intended for use with foundation stops, not alone.
Flute mutation stop of ​2 2⁄3′ (sounding a twelfth above written pitch)
A 4′ Principal. "Prestant" often indicates ranks that have pipes mounted in the front of the organ case.
Powerful reed stop, much like the Bombarde or Trombone; normally a 16′ or 32′ pedal reed; unusually an 8′ or 16′ on the manuals
A reed stop with fractional-length resonators; produces a buzzy sound with low fundamental frequency.
German for "reed flute"; a semi-capped metal pipe with a narrow, open-ended tube (i.e. "chimney") extending from the top which resembles a reed
Comprises ranks at 2 ​2⁄3' and 1 ​3⁄5'
Mutation stop pitched ​1 3⁄5′, supporting the 8′ harmonic series
French description for a solo trumpet laid horizontally that can often be heard over full organ.
Principal mutation stop of ​2 2⁄3′
An 8′ string stop tuned slightly sharp or flat to create an undulating effect when combined with another string stop. Some variants contain both a normal-pitched and detuned rank.
Fractional length regal supposedly intended to imitate the human voice
A high-pitched mixture stop
A flue stop that is the "backbone" sound of the organ. Most commonly at 8′ in manuals, and 8′ or 16′ in the pedals.
An 8′ string stop; It is the most common stop used for the Voix céleste in combination with a second rank tuned slightly sharp.
A loud chorus reed stop, generally a single rank, with inverted conical resonators.