The name of the tone that separates the tetrachords in a major scale.
A group of four notes
The name given to the grouping of accidentals that may appear after the clef and before the time signature.
The distance from one key on the piano to the very next key.
Bagpipe tunes played in the key of D Major are heard in this key.
Bagpipe tunes played in the key of A Major are heard in this key.
G-sharp and B-flat are this.
The name associated with scale degree I.
The name associated with scale degree II.
The name associated with scale degree III.
The name associated with scale degree IV.
The name associated with scale degree V.
The name associated with scale degree VI.
The name associated with scale degree VII.
The name associated with scale degree VII.
Tonic
Mediant
Supertonic
Leading tone
Subdominant
Submediant
Dominant
Key with 3 sharps
1 flat
C Major
Harmonic Interval
Unison
2nd, 3rd, 6th, 7th
Unison, 4th, 5th, 8va
Major Key with 5 sharps
Major scale pattern
Minor scale pattern
W-H-W-W-H-W-W
E-G-B-D-F
A-C-E-G
Half step
Quarter note
Enharmonic equivalent
8va
Mezzo piano*
Mezzo forte*
Pianissimo*
Fortissimo*
Reed flute
Moderato*
Xylophone
Aerophone
Allegro*
Andante*
Clarinet
Bassoon
Piano*
Largo*
Violin
Viola
Mbira
Cello
Oboe
Harp
A-Tempo Return to the previous
Accelerando Getting
Adagio Very
Allegro Lively, Rather
Andante Rather slow, at a moderate walking
Con-spirito With
Crescendo Gradually getting
Da-Capo-al-Fine Return to the beginning and play to the word
Dolce
Forte-piano Loud, then immediately
Gentile Pleasing,
Grave Extremely slow and
Largo Slow and
Legato
Lento
Maestoso
Meno-Mosso Less motion,
Misterioso
Moderato At a moderate
Pesnate
Poco a Pocco Little by
Presto Very
Prestissimo As fast as
Ritardando Gradually slowing
Decrescendo Gradually getting
Staccato Short and
Tempo Rubato Robbed
Tempo Primo The original
Vivace Quick,
Tonic First note of the
Dominant Fifth note of the
Supertonic Second note of the
Mediant Third note of the
Sub-Dominant Fourth note of the
Sub-Mediant Sixth note of the
Leading Note Seventh note of the
The first note of the scale
The fifth note of the scale
The fourth note of the scale
A sustained or repeated note (usually the tonic or dominant)
Using a segment of a musical idea
A neighbouring note that is a step higher or lower
Theme presented in shorter note values
Theme presented in longer note values
Repetition of a melody at a higher or lower pitch
An unaccented note or notes preceding the main beat
Based on notes of the chord
Dotted rhythm/A long dotted note followed by a shorter note
A secondary melody accompanying the main melody
Moving key
Played three notes apart
An ending cadence V-I
An interruption to a perfect cadence V-VI
Contrary Motion/In opposite directions
In a grand and noble style
A short concluding section to a piece
Getting gradually louder
Very loud
A short flourish or ceremonial tune usually played on brass instruments
Ascending or descending by semitones
Plucking the strings of violin, viola, cello or double bass
Gradually getting slower
Much
Detached notes
Smooth
Stressing the weak beat
leading tone
accidentals
mezzo piano
pitch class
subdominant
treble clef
submediant
supertonic
anacrusis
chromatic
dominant
dynamics
andante
mediant
solfege
triplet
scales
tuplet
duple
tempo
tonic
(f) loud
(ff) very loud
gracefully
very slow
smooth and connected
majestically
marked; with emphasis
martial
medium; half
moderately
very
very softly
softly
little by little
very fast
(rall.) gradually slower
(rit.) gradually slower
the sign
more than one performer in unison
a composition or passage for one performer
separated; detached style
silent
time; speed
The vertical line separating measures.
The staff played by the right hand is the __________ staff.
A note that is held for four beats.
The note that is held for one beat.
_______ means to play an octave higher. (includes a number)
There are _________ lines on a staff.
A combination of both the bass staff and the treble staff is called ______.
This symbol means to hold a note longer than is indicated.
Three or more notes that are played together.
A section of a staff separated by two bar lines.
The black key to the right of F.
A note held for two beats.
A rest that is made of four beats.
the dynamic that indicates to play very loudly (seen as ff)
The dynamic that indicates to play loudly (seen as f)
The dynamic that indicates to play medium loud (seen as mf)
The relative volume at which a note is played.
The dynamic that means to play softly. (seen as p)
The dynamic that indicates to play very softly (seen as pp)
The dynamic that indicates to play medium soft (seen as mp)
A rest that is held for two beats.
A rest that is held for one beat.
A gradual increase in loudness
A gradual decrease in loudness.
The black key found directly to the left of a note.
The black key found directly to the right of a note.
Eight full tones above the key note where the scale begins and ends.
An indication of rhythm following a clef
the chord containing the notes c, e, and g.
A sign that indicates a section should be repeated.
To play Slow and at Ease
To Play Slowly
To play Slow and Broadly
To play Slow and Serious
To Gradually Become Slower
To Become Gradually Faster
To play at a quick tempo
To play Fast and Lively
To Play Very Fast
To play or sing at a Medium tempo
To play or sing at a walking pace.
To Return to the Original Tempo
To play or Sing Loudly (F)
To play or sing very loudly (FF)
To play or sing Medium Loud (mf)
To play or sing Gradually Louder <
Medium
To play Medium Quiet (mp)
To play or Sing Quietly (p)
To play or sing very quietly (pp)
To Gradually Get Softer (>)
Three or More notes played together
All parts in Choir sing the Same Notes
No Accompaniment
Higher Style of Male Singing
Sliding in between two notes (Glis.)
The Distance Between Two Notes
Raises the pitch by a half Step (#)
Lowers the Pitch by a half step (b)
To play all together
To Repeat to the beginning of a piece (D.C)
The Accuracy of pitch in playing or singing
To play or sing Smoothly
A curve over notes to play Legato
To play short and detached (.)
To Emphasize a Note (^,>)
To Hold a note for as long as the conductor/performer would like!
describes how the different sections in a piece of music are positioned together to form the composition.
how complicated it is and how the tempo, melodic, and harmonic materials are combined in a composition,
in music, the placement of sounds in time. In its most general sense, _______ is an ordered alternation of contrasting elements.
is an ostinato; a repeated chord progression, pattern, or melody, often played by rhythmic instruments. common in rock funk and jazz.
a variety of rhythms played together to make a piece of music, making part or all of a tune or piece of music off-beat.
Where a melody is going up or down one note at a time. Like from a B to a C
Where a melody jumps more than one note at a time. Like from a C to an A
________ are the louds and softs of a piece of music usually represented as f, ff, mf, mp, p, pp, fp all meaning loud, very loud so on and so forth
Pianissimo
mezzo forte
fp
where two or more notes are played at the same time in tune to make a sound.