Paper Making and Element review Crossword

machine used to pulverize pulp for mixing additive and color
On the wet end of the paper machine the straps or deckle rulers that prevent the fiber from overflowing the sides of the machine. The deckle determines how wide the paper on a particular machine will be.
The small strands of wood, cotton or other cellulose product that is used to make the paper. In the premium paper market all of the fiber is lignin free
The wet mass of plant material that has been traditionally cooked and beaten, or contemporarily soaked and blended from which paper is manages to removal of water
Material woven from either cotton or wool with a raised surface which supports the wet sheet of paper during the stringing process.
Transferring a freshly made sheet of paper from the mold surface onto a receiving surface
The physical look and feel of the paper’s surface. These include smooth, felt, laid, linen and others.
identifiable path created by a point moving in space. It is one-dimensional and can vary in width, direction, and length.
define objects in space. Shapes have two dimensions–height and width–and are usually defined by lines. Forms exist in three dimensions, with height, width, and depth.
work of art refers to a feeling of depth or three dimensions. It can also refer to the artist's use of the area within the picture plane. The area around the primary objects in a work of art is known as negative space, while the space occupied by the primary objects is known as positive space
Light reflected off objects. ______ has three main characteristics: hue (red, green, blue, etc.), value (how light or dark it is), and intensity (how bright or dull it is). ______ can be described as warm (red, yellow) or cool (blue, gray), depending on which end of the _____ spectrum they fall.
describes the brightness of color. Artists use color value to create different moods. Dark colors in a composition suggest a lack of light, as in a night or interior scene. Dark colors can often convey a sense of mystery or foreboding.
The surface quality of an object that we sense through touch. All objects have a physical _______. Artists can also convey ______ visually in two dimensions. In a two-dimensional work of art, ________ gives a visual sense of how an object depicted would feel in real life if touched: hard, soft, rough, smooth, hairy, leathery, sharp, etc. In three-dimensional works, artists use actual _______ to add a tactile quality to the work.